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Tag Archives: 1950s

April 17

April 17, 1957 – The Disneyland Anthology Series Episode “More About the Silly Symphonies” Airs on ABC

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“Actually, the Silly Symphonies were started as an experiment. We used them to test and perfect the color and animation techniques we employed later in full-length feature pictures like Cinderella, Snow White, and Fantasia.”

On April 17, 1957, the episode “More About the Silly Symphonies” from the Disneyland anthology series aired on ABC. The episode is a continuation about the Silly Symphony line of short films, with the first episode, “The Story of the Silly Symphony” airing on October 19, 1955. The episode was directed by Clyde Geronimi.

The episode begins with Walt looking through some fanmail, telling the audience that he continually gets asked questions about the Silly Symphonies. He then reads a letter about the Silly Symphony Waterbabies, which was made in 1938; the short film itself was inspired by the 1863 story of the same name by Charles Kingsley. The scene then turns into an animated retelling of Kingsley telling the story he created to his son. The short itself begins to play. This is then followed by Walt reading a letter about the short film The Grasshopper and the Ants (1934), which traces its tale back to ancient times. The history of fables then begins in Ancient China, followed by Egypt, then finishing up with Aesop, before moving in to the 1934 short film. The third short Walt covers is Chanticleer the Rooster, who was heavily featured in the Canterbury Tales by Chaucer, as well as the Middle Ages classic Reynard the Fox. The Chanticleer stories inspired the 1938 short film Farmyard Symphony, which soon begins to play. After this, Walt introduces nursery rhymes, citing them as a big source of inspiration for the Silly Symphonies. He shows the audience a tiny book called Tommy Thumb’s Pretty Song Book, which contains several well-known verses and rhymes, including Who Killed Cock Robin. Walt then goes into the supposed meaning of the verse, which was meant to have been written about the rise and fall of Sir Robert Walpole. In 1934, Disney created a Silly Symphony based on the verse, satirizing many well-known celebrities of the time. The final Silly Symphony presented is based on Eugene Field’s well known children’s verse Wynken, Blynken, and Nod (originally known as Dutch Lullaby).

April 7

April 7, 1950 – The Pluto Short Film Wonder Dog Premieres in Theaters

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On April 7, 1950, the Pluto short film Wonder Dog premiered in theaters. It was directed by Charles Nichols, with story by Bill Peed and Nick Banta. The short features Pluto’s on-again off-again girlfriend Dinah, and his nemesis Butch; the short also features circus music used in the feature film Dumbo.

Pluto is in his doghouse, dreaming of Dinah, when Dinah happens to pass by, ignoring him. Pluto tries to get her attention, but she is more interested in Prince, the Wonder Dog of the circus. Pluto slinks away, saddened by this, but gets an idea: if he were like Prince, then he would have Dinah’s affection. He then goes into a daydream of being Pluto the Wonder Dog, unaware that he is acting it out in reality, with his stunts waking up Butch. Butch laughs as Pluto continues to practice simple circus tricks, but stops laughing when he notices Pluto mocking him. When Butch chases after Pluto, Pluto is able to perform the stunts out of desperation to get way from Butch. Dinah is able to see Pluto performing, and is duly impressed. In the end, Pluto gets the affection he has so longed for from Dinah.

 

April 4

April 4, 1951 – The Goofy Short Film Man’s Best Friend is Released to Theaters

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“Soon, the puppy becomes accustomed to his new surroundings, and makes himself at home in his master’s house.”

On April 4, 1952, the Goofy short film Man’s Best Friend was released to theaters. Another one of the Goofy “everyman” shorts, Goofy plays the part of George Geef, as seen on his mailbox. It was directed by Jack Kinney, with story by Milt Banta and Al Bertino.

A puppy is sitting in a pet shop window, hoping to attract the attention of just one passerby that would be willing to adopt him. He finds this in everyman George Geef, who is also holding a package of sausages. Geef tries to name the puppy, but the puppy refuses to move until Goofy picks a name that isn’t embarrassing or downright horrible. Settling on Bowser, the pair head home, with Geef’s nose stuck in a book about training. After settling in at Geef’s house, Bowser tears the once respectable home to shreds. Geef then attempts to train Bowser, but Goofy seems to be better at the tricks than Geef. Bowser then bites Geef’s hand after Geef gives him a treat. After a few months, Bowser has grown significantly, and is still causing mischief, which includes digging under fences, destroying his neighbors’ yards, and leaving destruction all around. When Geef gets home and settles with his evening paper, his solitude is disturbed by irate neighbors complaining about Bowser’s antics and demanding that Geef pay for the damage. When Geef heads out for the night, Bowser sleeps on the front stoop, unaware of a burglar and the ensuing shoot-out and arrest, and only wakes when Geef comes home, unfortunately chasing his master up a tree.

April 1

April 1, 1955 – The Segment Blame it on the Samba Released to Theaters as a Short Film

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“So if three boisterous birds of a feather fall under the influence of this torrid tropical tempo, don’t blame them; blame it on the rhythm of the samba.”

On April 1, 1955, Blame it on the Samba was released to theaters as a short film. The short was originally a segment of the 10th animated feature film Melody Time, and stars classic Disney character Donald Duck, as well as José Carioca and the Aracuan Bird from The Three Caballeros. The segment also features Ethel Smith and the Dinning Sisters singing the titular song.

The segment begins with Donald and José trudging along in a blue world, when they come across the Café do Samba, run by the Aracuan Bird. He quickly gives them a table, though they are less than enthused. To cheer their spirits, the Aracuan Bird starts playing the samba, cheering them up and having them cling to the rhythm of the samba. The Aracuan then creates a special drink of the ingredients needed to create the samba and dives in, where Jose and Donad are seen dancing on the organ of Ethel Smith. When brought back to their world, the samba continues, with the rhythm having taken over everything. Pleased with his work, the Aracuan Bird puts on a top hat and pulls out a cane as the scene fades away.

March 24

March 24, 1956 – The Tomorrowland Attraction Astro-Jets Opens in Disneyland

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“Pilot your very own rocket ship high in the sky above Tomorrowland…”

On March 24, 1956, the Tomorrowland attraction Astro-Jets opened in Disneyland. The attraction has gone through several renamings and redesigns. In 1964, the attraction was known as the Tomorrowland Jets, until 1966, when it was closed to make way for a refurbishment of Tomorrowland. The new incarnation of the attraction returned in 1967, and was renamed the Rocket Jets. In 1997, the attraction was closed again when Tomorrowland needed renovations. The newest version of the attraction, the Astro Orbiter, opened in 1998. The attraction itself is similar to Dumbo the Flying Elephant, where guests board their vessel and, while spinning around a central column, use a lever to drive the vessel up and down, giving guests a birds-eye view of the park.

March 23

March 23, 1951 – The Donald Duck Short Film Corn Chips is Released to Theaters

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“I ougta knock your block off!”

On March 25, 1951, the Donald Duck short film Corn Chips was released to theaters. It was directed by Jack Hannah, with story by Bill Berg and Nick George.

Donald is shoveling his sidewalk after a heavy snowfall, but finds that Chip and Dale are brushing their own tree sidewalk, leaving snow all over his freshly shoveled walk. Donald manages to trick the two into finishing his work, and laughs when they finally realize that they’ve been tricked. Angered, the two run to his door and watch through the key holes to see Donald making some popcorn. The pair manage to sneak into the house and knock over the box of popcorn kernels, but realize that they aren’t edible. Chip kicks some kernels into the fire, and the two are surprised when they start to pop. Donald pours the kernels into a popper, not realizing that the chipmunks have fallen in as well. Donald pops the corn over a fire, and pours the popcorn, and chipmunks into a bowl, but the chipmunks abscond with the entire bowl. Donald chases them outside and manages to steal the bowl back by hiding all the popcorn under his hat, but the pair gets it back, and Donald chases them all around his house. In the end, Donald tries to smoke them out of the tree, but the two pop the rest of the box of popcorn, leaving Donald’s clean sidewalk covered in a sea of popcorn that Donald has to shovel again.

March 19

March 19, 1959 – The Live-Action Feature Film The Shaggy Dog is Released to Theaters

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“This is a Shaggy Dog Story. It could have happened anywhere, or to anyone. It so happened that it happened to Wilson Daniels, a man who loved people, but hated dogs.”

On March 19, 1959, the live-action feature film The Shaggy Dog was released to theaters. The film turned out to be a huge smash for the studio, becoming one of the top grossing films of 1959. It was suggested by Felix Salter’s tale “The Hound of Florence,” with the screenplay developed by Bill Walsh and Lillie Hayward. It was directed by Charles Barton, and starred Tommy Kirk as Wilby Daniels, Fred MacMurray as Wilson Daniels, Jean Hagen as Frida Daniels, Annette Funicello as Allison, Tm Considine as Buzz, Kevin Corcoran as Moochie Daniels, Alexander Scourby as Dr. Mikhail Valasky, and Roberta Shore as Francesca Andrassy.

It’s a peaceful day in suburbia, where Wilson Daniels gets his paper and scares away a dog that’s passing by his lawn. Inside, he grouses about a dog getting a medal for pulling a baby from a burning building, but his wife Frieda, who loves dogs, tries to calm him down. Wilson was a mailman, which accounts for his disdain of “man’s best friend.” Their sons, Wilby and Moochie, are in the basement working on a missile interceptor, which goes off and shakes the entire house, destroying the china. In the basement, Wilby is trying to figure out the problem, as he hasn’t even turned the interceptor on. He and Moochie have to evacuate, as it’s too late to take it outside. Moochie clears the house of his family, and they can only watch as the missile bursts through the ceiling and shoots into space. Later, as Moochie and Wilby work on fixing the roof, Wilson demands that Wilby stops all of his experiments and gives everything away. As he steps down from the roof, he waves to his next door neighbor Allison, the most popular girl in town, who is off to place tennis with her beau Buzz. As he argues with Buzz about wanting a date with Allison, a new family moves into town, with a beautiful teenage girl speaking French.

The new girl's dog decides to go greet Wilby after she heads inside

The new girl’s dog decides to go greet Wilby after she heads inside

As Wilby and Buzz continue to argue, the girl’s dog Chiffon runs across the street to greet Wilby. Buzz and Wilby return the Chiffon its owner, and an angry Allison storms away. They meet the girl, Francesca, and her father Dr. Valasky, and are invited inside. They discover various ancient artifacts all around, including a portrait of Lucrezia Borgia with a sheepdog very similar to Chiffon. When asked to take artifacts to the museum, Wilby and Buzz volunteer to give Francesca a ride. At the museum, Buzz ditches Wilby and runs off with Francesca, and Wilby stumbles across Professor Plumcutt, who has been working on an exhibit at the museum. Plumcutt shows Wilby the new exhibit about the Borgias and their use of sorcery, including shapeshifting. Wilby bumps into a table on his way out and knocks over some jewelry, leaving Plumcutt to collect the pieces as Wilby tries to find Buzz and Francesca. He has to walk the entire way home, and is furious when Buzz breezes by in his car. Later, Wilby is packing up the basement, with Moochie helping, when Wilson calls the boys up for bed. Wilby discovers a ring from the museum had landed in his pants cuff, and reads the inscription on the inside: “In canis corpore, transmuto.” He tries the ring on, and tries to translate the inscription, repeating it over and over. He is unaware that he is transforming into a dog, until he spots his own reflection; meanwhile, Chiffon disappears from Francesca’s house.

Wilby hides in his basement after completely turning into a sheepdog, but decides to try and make his way out of the house to find Plumcutt in order to reverse the transformation. He manages to make it to the museum safely, and Plumcutt isn’t surprised that Wilby was able to shapeshift. Wilby asks for help in turning back to a human, but Plumcutt tells him he doesn’t know how, although he thinks an act of heroism would break the spell. Saddened by this, Wilby walks home, spooking a cop on the way by talking to him. The next morning, Moochie wakes up and is shocked to find that his brother is a dog, and has to help hide Wilby from Wilson. Moochie is excited about what happened with his brother, and wants to keep Wilby as a pet. When Wilby tries to go downstairs for food, Frieda chases him away, unaware that it’s her son. Wilson finds Wilby in the house and goes after him with a shotgun, but fortunately for Wilby he manages to escape back to Francesca’s house. Francesca’s butler Stefano locks Wilby in a closet, as he finds the dog troublesome, but after he does, Wilby manages to change back into a boy, and Chiffon reappears in the house. Wilby then finds Moochie looking for him, but Moochie is disappointed that Wilby is a boy again.

Wilby gets roped into Buzz's plan on taking two girls to the dance

Wilby gets roped into Buzz’s plan on taking two girls to the dance

The family is heading to a country club dance the next night, and Frieda thinks that Wilby should take Francesca to the dance. Buzz arrives to ask a favor, as Buzz has asked both Francesca and Allison to the dance, and needs Wilby to tag along to make it a foursome, although Buzz will still be taking the two girls. Unfortunately for Buzz, his plan backfires as it seems like Allison and Francesca are both after Wilby. Things get worse when Wilby starts turning into a dog in the middle of dancing with Francesca. Moochie notices and tries to pull Wilby away, and manages to sneak him into a bush before he truly changes. Wilby tries to sneak out from the country club, but Francesca spots him, thinking it’s Chiffon, and Buzz offers to catch him and take him home. Buzz chases Wilby through the parking lot, but in unable to catch him and ends up injured. In the end, Buzz ends up in hot water with both Allison and Francesca for his antics, but Francesca offers to help him clean up his wounds, with Buzz blames Wilby for the entire incident. Wilby manages to show Francesca what a jerk Buzz is, and Francesca sends him home. Worried about her dog’s latest antics, she asks her father to look after Chiffon (still unaware that it’s Wilby), and Wilby manages to overhear a conversation between Dr. Valasky, who is planning on taking an important item from the nearby missile plant out of the country. Realizing that Valasky is a spy, Wilby tries to break out of the house, using the laundry chute, but ends up stuck in the basement.

By morning, Wilby manages to break out of the basement and finds Moochie waiting for him at the front of their house. Wilby warns Moochie that Francesca’s house is full of spies, and they’ll be stealing something from the missile plant. Moochie decides to tell Wilson, but Wilson refuses to believe him. Wilby decides that it’s time to tell Wilson the truth: he’s been turned into a dog. When Wilson finds out, he faints. Wilby and Moochie then decides to go to the police, but the policemen refuse to listen. Before the pair can do anything, Wilby is taken away by Stefano. Moochie runs home to get Wilson, who is still reeling from Wilby being a dog, but agrees to help Moochie, as he now believes his story about Valasky being a spy. They head to the missile plant to warn them, but are met with derision until he mentions “Section 32,” which raises alarm bells. They take Wilson and Moochie to talk to the missile plant’s psychiatrist. Back at Valasky’s, Wilby tries to overhear more of the conversation between Valasky and Stefano, but turns back into a boy as he listens to their plans. They catch Wilby listening, and keep him as a hostage.

Wilson is grilled by the head of security at the missile silo for his knowledge on Section 32

Wilson is grilled by the head of security at the missile silo for his knowledge on Section 32

Wilson is grilled further, and Moochie says he doesn’t know anything, effectively having his dad take the fall for the entire thing. That night, a small item is taken from Section 32 in the missile plant, and Valasky sets his plan in motion. Francesca arrives home, and Valasky orders her to go with him when they travel overseas. When Moochie is driven home from the plant, he heads over to Francesca’s to save Wilby, and finds Valasky and his men driving away from the house. Wilby turns back into a dog right before Moochie finds him, and Moochie frees him. As they burst out the door, they run into Buzz, who had a date with Francesca, and Wilby takes his car to go rescue the piece and the girl. The police pursue Wilby, with Moochie, Buzz, and Wilson (who had just been released) pursuing the police. The police manage to pull over Wilby, but Wilby manages to get away and steal the police car to keep up his chase. Valasky notices that they’re being followed, and the strange chase continues until Valasky arrives at the docks. Wilby manages to board the ship just in time, and when Francesca is thrown overboard, Wilby jumps into the water to save her.

Wilby manages to pull her ashore, and the police are able to stop the both with Valasky. He collapses in the sand out of exhaustion, but gets riled when Buzz takes the credit for saving Francesca and fights him, but turns back into a human in the middle of their fight. Chiffon shows up and wakes up Francesca, and gets the credit for saving Francesca and recovering the stolen piece, along with Wilson. Later, Wilby and Buzz talk, deciding to repair their friendship, especially since Francesca has gone back to France, and Allison has a new boyfriend. In the end, everyone is happy, and Wilson has learned to appreciate dogs.

 

March 11

March 11, 1959 – Disney Purchases the Golden Oak Ranch

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“Located within the 30-Mile Zone, the Golden Oak Ranch is a movie ranch like no other.”

On March 11, 1959, Disney purchased 708 acres in the Placerita Canyon, called the Golden Oak Ranch. The ranch, located 25-miles away from the Disney Studios, became a filming location for several Disney productions, including the Spin and Marty serials and feature films The Parent Trap and Follow Me, Boys!. The ranch was also leased out to other studios for such projects as Dynasty and Back to the Future, and has continued to be used for Disney productions, including the recent Pirates of the Caribbean series and The Santa Clause. In 2009, Disney announced that there would be a plan to create a backlot studio for ABC with 58-acres of the property. In 2011, it was announced that two state-of-the-art backlots were completed on the property.

February 24

February 24, 1950 – The Goofy Short Film How to Ride a Horse is Released to Theaters

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“The outside of a horse is good for the inside of a man.”

On February 24, 1950, the Goofy short film, How to Ride a Horse was released to theaters. It was originally released as a segment within the 1941 film The Reluctant Dragon. Along with the other cartoon segments in the original film, it was directed by Hamilton Luske.

The short begins with the narrator introducing the basics of riding, including the benefits of the exercise. Goofy then introduces the proper riding attire, complete with conservative hat, comfortable boots, and a nice riding coat costing $4.98. The horse is then presented, and listens to the narrator’s praise with glee – that is, until the narrator calls him a dumb animal. Goofy then approaches the horse for his ride, but the horse quickly takes the lead of the situation, tripping Goofy and sending him flying into the dirt. Goofy tries to bribe the horse with carrots, and nearly gets his arm bitten off. The horse manages to steal all of Goofy’s carrots, and his long underwear to boot. Next, Goofy tries to mount the horse, but the horse would rather trip and trick Goofy than agree to be mounted. When the narrator tries to explain mounting the horse via the stirrups, both Goofy and the horse are bored to sleep. In the long run, Goofy is able to mount his horse. The narrator then moves to the mechanics of riding, starting with the trot, brought down to slow motion to show the “majesty” of the movement. Afterwards, when it comes to jumping, the horse refuses to go. When Goofy tries to use his spurs, the horse jumps away, leaving Goofy to use the spurs accidentally on himself. The horse then gallops around happily, jumping on top of Goofy. In the end, Goofy and horse are one riding around the countryside, although they are forced to try again when the jump fails. At the end of the day, the two drag themselves back from their ride, but the horse heads in excitedly when he finds out that they’re heading straight for the stable, and crashes Goofy into the door.

January 30

January 30, 1957 – The Episode of the Disney Anthology Series “All About Magic” Premieres

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“Perhaps there is no art more fascinating than magic.”

On January 30, 1957, the episode of the Disney anthology series “All About Magic” premiered on ABC. It was directed by Hamilton Luske, and starred Hans Conried as the Magic Mirror.

The episode begins in Walt’s office, where he explains about the importance of magic, and takes the audience down to a prop room that is full of magical props. He opens the door with the magic words, and inside Walt uses a few of the props, including levitating a table using his concentration. He introduces them to the Decapitated Princess, who speaks when he utters the magic words. She is startled when he tells her that it’s the mid-20th century, but he quickly calms her back to sleep. Walt then continues his tour of the prop room, and pulls a rabbit out of a hat. Finally, he reveals the magic mirror owned by the Evil Queen in Snow White and the Seven Dwarfs, and summons the slave in the mirror; unfortunately, he arrives upside down. Walt hands the show over to the mirror, who sends Walt away with the magic words. The mirror then panics, as he’s not sure he knows the correct words to bring Walt back. Fortunately, Walt is still in the room, and leaves of his own accord. After doing several sleight of hand tricks, the mirror then introduces the stories and film clips featuring magic, beginning with the Mickey Mouse short film Magician Mickey. Afterwards, he introduces Halloween and the next short film, Trick or Treat. The episode concludes with clips from Cinderella and the Sorcerer’s Apprentice sequence from Fantasia.