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Monthly Archives: February 2012

February 29

February 29, 1940 – The Last Silly Symphony, The Ugly Duckling, Wins the Academy Award for Best Animated Short Subject

At the 12th Academy Awards, held at The Coconut Grove in Los Angeles on February 29, 1940, the Walt Disney Studios and RKO Radio were awarded an Academy Award for their final Silly Symphony, The Ugly Duckling. The short was up against Detouring America by Warner Brothers, Place on Earth by MGM, and The Pointer, also by the Walt Disney Studios and RKO Radio.

First released April 7, 1939, it was a remake of the 1931 Silly Symphony of the same name, and was the only Silly Symphony ever remade. The story and animation were significantly different from the 1931 short, which shows the tremendous strides in animation the Disney Studios had made in those nine years. Instead of the slapstick and gags they relied so heavily on in the early days of the studio, the 1939 version shows how they were able to make their character emote and become fully fleshed out.

The scene when the father and mother discover the odd looking duckling. Notice the characterization of the characters, which was rather nonexistant in the 1931 short

The plot of this short is based on the Hans Christian Andersen tale, and tells the story through music of a duckling shunned by his family, as he is considered by his parents to be ugly. The duckling, ashamed, tries to find a mother that will accept him the way he is. It’s easy to see, after watching this short, why it would win an Academy Award – it truly was a high note for the Silly Symphonies in which to go out.



February 28

February 28, 1942 – Pluto Short Film Pluto, Junior is Released to Theaters


Pluto, Junior, a Pluto short film, was released by the Disney Studios on February 28, 1942. Directed by Clyde Geronimi and with the voice talent of Pinto Colvig, the short shows a different side of Pluto as a father to a rambunctious puppy that is so much like him in curiosity and ending up in precarious situations.

The short opens on a sunny day, and snoring is heard as the audience sees a ball rolling back and forth across the lawn. As the camera zooms out, we see Pluto and Junior, fast asleep in their respective doghouses, with the ball rolling in between their snores. Pluto’s snore is a bit too strong, and pushes the ball straight into Junior’s nose, startling him awake. Eyeing the ball bouncing up and down, Junior decides that it’s playtime, only to end up being more bullied by the ball than actually playing with it. The ball slips and lands in Pluto’s mouth, who ends up choking on the toy. Seeing his father awake, Junior barks enthusiastically, hoping his father will want to play. Pluto, however, is too tired, and angrily growls at the puppy, scaring the poor thing.

Junior ends up stuck to a stray balloon in the yard

As the puppy rolls backward from trying to get away from Pluto, he ends up rolling onto a balloon, which sticks to him and causes his ears to stand up from the static electricity. Curious, he turns around to sniff the balloon, and ends up trying to attack it, only to pull away the string and let the balloon fly across the yard, landing in Pluto’s mouth. Pluto unwittingly fills the balloon with air as he snores, and Junior, now thinking the balloon is an enemy, tries to sneak up on it, only to be scared of his own growing reflection in the balloon. Junior finally gets the courage to bite it, and it explodes. The sound makes Pluto shoot through the roof of his doghouse.

Junior, meanwhile, ended up in a patch of dandelions from the force of the explosion, and when he sneezed away the dandelion fluff, a worm landed on his head, and is not happy about his new location. Junior tries to pull the worm from his face, only to have it stuck in more humorous positions, such as around his eye like a monocle. Junior finally flings the worm away, and goes after it like a shot, determined to fight it. The chase goes all over the backyard and up a tree, where a hungry bird is waiting to devour the worm.

The hungry bird comically welcomes the worm to walk straight into his mouth

As the bird tries to chase the worm, it accidentally grabs a hold of Junior’s tail, and Junior angrily chases the bird in revenge. The bird flies around with Junior on its tail, until the puppy falls and lands into a sock on the laundry line, with only a feather as his spoils of war. He looks down to see that the ground is so far away, and begins yelping helplessly. Pluto wakes to see Junior in his precarious position and rushes to try and save him.

As Pluto pulls on the laundry line, the line stops when a knot prevents it from moving. Pluto tries his best to get the line to move, and finds himself being carried out on the line and having to walk it like a tightrope. After one daring swing, he ends up flying through the air and landing in some socks, only to have the socks snap away from their pins. Pluto then uses his tail to stay on the rope, and Junior, impressed, begins to cheer his father on. Still trying to rescue the pup, Pluto tries to pull his way down the laundry line, until Junior is right on top of him. Unfortunately, Junior’s enthusiastic wagging hits Pluto’s nose, and he lets out a mighty sneeze, sending both of them into the laundry tub.


February 27

February 27, 1930 – Birth of Imagineer and Disney Legend Rolly Crump

To get a handle on this spirited, multi-talented Disney designer, think: Leonardo da Vinci’s Universal Man.

Born February 27, 1930, in Alhambra, California, Roland “Rolly” Crump became one of the most imaginative people in the Imagineering field. He began working at Disney in 1952, leaving a job as a dipper in a ceramic factory to become an inbetweener artist. He eventually became an assistant animator, with his work including the films Peter Pan, Lady and the Tramp, and Sleeping Beauty.

Crump (L) on the 10th Anniversary Show, explaining the upcoming attraction known as the Museum of the Weird

In 1959, Crump moved over to WED Enterprises, designing some of the most popular attractions at Disneyland, including The Haunted Mansion and the Enchanted Tiki Room. Crump even appeared on the Disneyland 10th Anniversary episode, where he explained the idea of a Museum of the Weird (which eventually morphed into part of the Haunted Mansion), where the Imagineers would collect weird things from around the world. “I did a candle man that was melting, I did a chair that stood up and talked,” Crump said of the humble beginnings of the Museum of the Weird. “And while I’m working on all of this, the management at WED and the art directors said, ‘That stuff’s too weird, Walt’s not gonna like that.’ They put all my stuff on a table against a wall in a corner. Finally Walt said, ‘Well, is that it?’ And Dick Irvine said, ‘Yes, Walt, that’s it.’ He said, ‘What’s this stuff in the corner?’ He and I both sat in front of this stuff, and I took him through it. He said, ‘It’s weird.’…The next morning I come to work at 7:30, Walt’s sitting at my chair in the same clothes he was wearing when he left that afternoon the day before, and he said, ‘I didn’t sleep last night…because of all the weird stuff you showed me.’”

Crump also was a key designer for many of the Disney attractions at the New York World’s Fair, particularly the Tower of the Four Winds Marquee for the It’s A Small World attraction. Crump designed the animated clock for the attraction when it was moved to Disneyland.

In 1970, Crump left Disney to become a consultant at other theme parks, including Busch Gardens in Florida and California. In 1976, he returned to Disney as a project designer for Epcot, particularly the “Wonders of Life” and “The Land” pavilions. He left again in 1981, launching the Mariposa Design Group, which created many themed attractions around the world. In 1992, he came back to Disney again, and he again worked with the Epcot pavilions, redesigning and refurbishing the lands there. Crump then retired from Disney in 1996, although he continues to create and dream up new interesting attractions. He was inducted as a Disney Legend at the 2004 ceremony.


February 26

February 26, 1942 – Walt Disney is Awarded the Irving G. Thalberg Memorial Award, and Fantasia Gets Two Special Oscars

Walt Disney receiving the Irving G. Thalberg Memorial Award

At the 14th Annual Academy Awards, held on February 26, 1942, at the Biltmore Hotel in Los Angeles, it appeared to be a banner year for the Walt Disney Studios. Although Fantasia had not been the commercial success Walt had hoped it would be, it had still been a major innovation when it came to the process of sound in motion pictures. At his awards ceremony, Leopold Stokowski, the conductor of the film, was awarded a special Academy Award; a special Academy Award was presented to Walt Disney, William Garity, John N. A. Hawkins, and the RCA Manufacturing Company for the film, as well. On top of this, Walt Disney was fourth recipient of the Irving G. Thalberg Memorial Award.

The Irving G. Thalberg Award honors those “creative producers whose bodies of work reflect a consistently high quality of motion picture production.” It honors Irving Thalberg, who, at the age of twenty-three, became the vice president and head of production for Louis B. Mayer. Before he died of pneumonia at the age of 37, his work had made MGM one of Hollywood’s most prestigious studios. Disney became the fourth recipient of the award, and although he only had about three feature films and several shorts under his belt, it showed that Disney had made many strides in the fields of animation and motion pictures.

Leopold Stokowski in the iconic image from Fantasia

Leopold Stokowski and his associates were given a special award by the Academy “for their unique achievement in the creation of a new form of visualized music in Walt Disney’s production, Fantasia, thereby widening the scope of the motion picture as entertainment and as an art form.” The other special award—given to Disney, technicians William Garity and John N. A. Hawkins, and RCA—was for “their outstanding contribution to the advancement of the use of sound in motion pictures through the production of Fantasia.” The RCA stereo system that had been honored was truly remarkable for its day, and helped create a concert-like atmosphere for the audience. It was a very expensive system, requiring special equipment to be installed in theaters, which meant that the film originally opened in only 14 theaters.

February 25

February 25, 1938 – The Mickey Mouse Short Boat Builders is Released to Theaters

“All you do is put it together.”

On February 25, 1938, the new Mickey Mouse short, Boat Builders, was released to theaters. This is another one of those shorts where the comedy is actually found through the actions of Goofy and Donald, rather than through Mickey’s actions. Directed by Ben Sharpsteen, Boat Builders featured the vocal talents of Walt Disney as Mickey, Pinto Colvig as Goofy, Clarence Nash as Donald Duck, and Marcellite Garner as Minnie Mouse.

"Lend a hand, me hearties!" Mickey tells the gang, and they happily agree

The short begins with Mickey, Donald, and Goofy excited about building a boat from a kit they have ordered, especially after turning the page and seeing a picture of what the finished project should look like. It’s easy, too: The included instruction manual taunts that “Even a child can do it.” Mickey declares that once she’s built, they will call her The Queen Minnie.

The boys set to work opening crate number one, labeled the keel and ribs, merrily whistling (and quacking, in Donald’s case), sea shanties. Grabbing the rope, they pull out the collapsed innards of the boat, only to have the boat chase them down the shore and capture them on the beams. Mickey laughs when he recites the simple instructions once again, and Donald laughs with him when he reminds them of the boast that even a child can do it.

The blueprints for how to assemble the mast. Note the warning in the lower left corner

The scene then moves to Mickey picking up the box with the mast enclosed and pulling out the blueprints on how to install the mast. When Mickey stands on top of the mast, trying to pull it out, it shoots out of the box, sending Mickey all the way up to the sky. The mast is then assembled with Mickey, still hung up at the top of the mast by his clothing, saluting the audience.

Assembling the boat is quick work for the three, and Goofy is seen hammering nails into the sideboards, although, as is usually the case with Goofy, the board does not want to stay nailed down, and hits Goofy square in the head. Slightly angry, Goofy grabs another set of nails and hammers it down again, only to have it swing back at him. Goofy ducks, but it hits him on its swing back. He then feverishly hammers the board down and turns to another task, but continues to be taunted by the board. It finally hits him, spinning him until he falls onto his barrel of nails.

Donald has a difficult time painting the rudder of the boat

Mickey and Donald continue putting the boat together, with Donald painting the rudder, not noticing that Mickey has just placed the helm into its socket and is testing it, causing Donald to completely miss the rudder while trying to paint. Donald holds it still, causing Mickey to think that the wheel is now stuck, and as he tries to free it, Donald gets wrapped around the rudder like a tetherball, and then is hit like a ping-pong ball as Mickey continues to pull on the helm.

Goofy sets about to add the figurehead to the boat, but when he opens to see that it’s in the shape of a beautiful mermaid, he closes the box, flustered, thinking that there’s an actual lady enclosed. He tries to straighten himself up a bit more, and knocks on the lid, apologizing to the figurehead. When it falls out of the box, Goofy catches it, alarmed, and calls out to the others that she’s fainted. He puts her in a beach chair and asks if she’s feeling better, but of course, she doesn’t say a word. “Gee, but you’re purty,” he tells her, twisting his hat in embarrassment. As he admits he could fall for a girl like her, he accidently steps on her tail, pushing the figure up and meeting him in a “kiss,” which causes him to spin around giddily. While Goofy hides his head, giggling, Mickey takes the figurehead and places it in the front of the boat. Poor Goofy is alarmed to find that she has disappeared, and begins to search for her, but ends up falling off the boat and pulling down the anchor.

The christening of the Queen Minnie

At last, the boat is built, and a huge crowd appears at its christening and maiden voyage. Mickey, dressed as the captain, tells Minnie to christen the boat, and she gladly grabs the champagne bottle. She’s shocked, however, to find that the bottle will not break, so she gives it a mighty swing. The swing was too great, and the boat begins to fall apart from the impact, with it collapsing in on itself. The boys find themselves in the water, and while Mickey laughs at their predicament, Donald just gives out his trademark, “Aw, phooey!”

February 24

February 24, 1997 – Pixar and Disney Jointly Agree on the Production of Five Feature Films

This newspaper article around the time Pixar went public described the reason for the need to become a studio, one that would be addressed in the extended contract

“We got the money in the bank, and then shortly after, Disney came to us and said, ‘We want to extend the contract.’ And Steve [Jobs] said, ‘Okay, we will extend it if we can be fifty-fifty partners.’ And they said, ‘Okay, we’ll do that.’” – Ed Catmull

After the success of Toy Story, which provided more income to the once-struggling Pixar Studios, a new agreement was signed on February 24, 1997, for a new five-film deal. This deal gave Pixar more of an equal share of the assets from their films. This extended deal only served to further prove that Pixar had something amazing to offer Disney and the film industry in general.

When Pixar signed the first three-film contract with Disney in 1991, the studio was cash-strapped and needed the deal, so they had agreed to a 10 to 15 percent share of their films’ profits so that Disney would fully finance the films. This left most of the profits and merchandising with Disney. “Financially, if one film did not do well,” Steve Jobs explained about the first contract, “we would be wiped off the face of the planet.” Jobs began to push Michael Eisner for a new contract a few months after the release of Toy Story, when he was confident in the film’s success both commercially and as a groundbreaking achievement for Pixar. Jobs realized at that point that Pixar needed to become a studio, instead of a production company, and to accomplish this, they would need capital. Their best option was to go public, and Pixar became the highest initial public offering (IPO) of 1995.

The success of Toy Story helped to make Pixar's IPO the highest of the year

Toy Story had given Pixar a massive success, and with the added bonus of their IPO, Pixar was able to co-finance their films, work on getting a higher percentage of the films’ profits, and get the proper credit for their work. Jobs offered Eisner the one bargaining chip he had: more films. Eisner could not say no, and in 1997, Pixar’s Chief Financial Officer, Lawrence Levy, and the similar representative for Disney, Robert Moore, signed a 42-page contract for five feature films (the first one being A Bug’s Life, which was beginning production and still known as Bugs), in which the production costs would be split 50-50, and Pixar would receive 50 percent of the profits, along with home video and tie-in product receipts, and equal advertising with Disney for the films. When Jobs and Eisner announced the extension of the contract, the Pixar stock jumped 50 percent.

February 23

February 23, 1935 – The Mickey Mouse Short The Band Concert is Released to Theaters

“Yet, in a funny way, The Band Concert spelled the beginning of the end for Mickey as a solo cartoon star. As good as he is in this film, and his range of expressions as the frustrated conductor is marvelous, his thunder is easily stolen by a newcomer on the scene, Donald Duck.” – Film Critic Leonard Maltin.

On February 23, 1935, audiences flocked to see a new Mickey Mouse short, only this time, it was in Technicolor. The Band Concert, Mickey’s first color short film, would not go on to win an Academy Award, but has been hailed as one of, if not the, best Mickey Mouse short of them all. From this point on, with the exceptions of Mickey’s Service Station and Mickey’s Kangaroo, all of the Disney shorts would be in Technicolor. The short also boosted the popularity of Donald Duck, who was considered to be a funny character, as opposed to Mickey’s charming personality. The film was directed by Wilfred Jackson, and has Clarence “Ducky” Nash with the only speaking role in the film as Donald. ­­­It has been noted that orchestra conductor Arturo Toscanini considered this film his favorite; it has also been said that the short film Symphony Hour (1942) may have been a more outlandish remake of this film.

With great enthusiasm, Mickey leads the orchestra in The William Tell Overture

The short opens with a concert in a park, with Mickey and his orchestra taking a bow after finishing Selections from Zampa, and the audience applauding enthusiastically. When Mickey shows the card displaying the title of their next piece – The William Tell Overture – the audience is overjoyed. With great fanfare, Mickey leads his orchestra into the piece, only to get distracted by a voice calling out “Popcorn! Lemonade!”

The camera moves to the distraction, and we see Donald Duck pushing an ice cream cart, with lemonade and bags of popcorn for sale as well. He stops to admire the music, then pulls a flute from the front of his uniform, wanting to join in with the orchestra. In the middle of the William Tell Overture, Donald begins to play Turkey in the Straw, which gets the orchestra to switch to the similar sounding tune. When Mickey notices the switch, he grabs Donald’s flute and breaks it in half, but Donald has another trick – or flute, rather – up his sleeve, and resumes his tune while Mickey tries to bring the concert to a halt.

Just like magic, Donald makes a flute appear out of thin air

With a wink, Donald presents another flute as the orchestra tries to get back on track, and when an aggravated Mickey tries to break the third flute, Donald decides to do it for him, sending the audience into peels of laughter. Mickey, at wits’ end, lunges at Donald, only to land on his face as the duck speeds off the stage. With renewed vigor, Mickey pulls the orchestra back to the assigned piece. As they begin to play, Donald, hiding behind a music stand, pulls out another flute, only to have the trombone player encircle the duck’s neck with the trombone slide and shake him down, revealing all the flutes Donald had hidden away, before throwing him right onto his cart, spilling food everywhere. Donald throws a tantrum, but the trombonist just laughs.

Donald grabs one of the flutes from the shake down and begins his takeover attempt again, not noticing a bee buzzing around him curiously. The bee flies into the flute, and ends up in Donald’s mouth, causing the duck to have another fit. When the bee flies away and lands on Mickey’s hat, Donald grabs an ice cream cone and throws it in the insect’s direction. The ice cream lands in a trumpet, and the trumpeter blows it out, which hits Mickey on the back of the head. As Mickey tries to shake the ice cream out, directing the orchestra along the way, the classical piece gets a somewhat interesting interpretation, and Mickey’s temper flares again.

As Mickey finally gets the orchestra back on track, the bee returns and buzzes around Mickey, and each move the mouse makes to swat it away is interpreted by the orchestra as his direction with comical results. The bee buzzes around Horace Horsecollar, playing percussion, who tries to swat him with the cymbals, only to crash around Goofy’s head.

Mickey hadn't realized how complicated this part of the piece was going to be

Mickey turns the page in his music book to the part in the overture called The Storm. He looks rather surprised at how complicated the piece is, but is determined to play it and play it well. When the orchestra starts to play, the clouds get noticeably darker, and the wind begins to blow ominously. Without warning, a tornado sweeps through the town, heading directly for the concert in the park. The audience and the benches flee the concert in a panic as the tornado devours everything in its path. Donald stands around, confused as to why everyone is running away, until he sees the tornado bearing down and tries to hide by climbing up a tree, only to have the tornado braid him within three tree trunks.

The orchestra continues to play with Mickey conducting,as they are dramatically pulled up into the storm, seemingly oblivious to their peril. As they reach the climax of the piece, they stop in midair and are once again set down to the ground for a triumphant finish. The only audience member remaining, however, is Donald, who once again tries to take over with Turkey in the Straw, only to have a tuba land on his head.


February 22

February 22, 2009 – Pixar’s Wall-E Wins the Academy Award for Best Animated Feature

Andrew Stanton (R) with the Wall-E Academy Award. Image Credit: Wikipedia

“[We’ve] been trying for four years to make the best film possible and have it recognized in that regard in something like this – it’s huge.” – Andrew Stanton at the Academy Awards

At the 81st Academy Awards, broadcast February 22, 2009, the Pixar film Wall-E won the Academy Award for Best Animated Feature. The film was also nominated for Best Original Screenplay (written by Andrew Stanton, Jim Reardon, and Pete Docter), Best Original Score (by Thomas Newman), Best Original Song (Down to Earth by Peter Gabriel and Thomas Newman), Best Sound Editing (by Ben Burtt and Matthew Wood), and Best Sound Mixing (by Tom Meyer, Michael Semanick, and Ben Burtt). This award would be the fourth win for Pixar in this category since the creation of the Best Animated Feature category in 2001. Many critics voiced their surprise that Wall-E was not nominated for Best Picture, as it was one of the highest rated films of 2008, with a 96 percent approval rating on the online rating site, Rotten Tomatoes. Only three animated films were nominated in the Best Animated Feature category that year: Wall-E, Disney’s Bolt, and Dreamworks’ Kung Fu Panda.

Image from one of the first advertisements for Wall-E

In an advertisement for the film, shortly after the release of Ratatouille, Andrew Stanton described a lunch with three of the other main players at Pixar: John Lasseter, Pete Docter, and Joe Ranft. “In the summer of 1994,” he begins, “there was a lunch…Toy Story was almost complete, and we thought, ‘Well, jeez, if we’re going to make another movie, we gotta get started now.’ So at that lunch, we knocked around a bunch of ideas that eventually became A Bug’s Life, Monsters, Inc., Finding Nemo…the last one we talked about that day was the story of a robot, named Wall-E.”

Released on June 27, 2008, the film posed the question: What if mankind had to leave Earth 700 years in the future, and somebody forgot to turn off the last robot? The film includes the voices of Ben Burtt as Wall-E and Elissa Knight as EVE, with Jeff Garlin as the Captain, John Ratzenberger as John, and Kathy Najimy as Mary. The film went on to become the ninth highest grossing film of 2008, with a total domestic gross of $223,808,164.

February 21

February 21, 1947 – The Pluto Short Pluto’s Housewarming is Released to Theaters

On February 21, 1947, audiences were shown a new Pluto short, Pluto’s Housewarming. Charles Nichols directed the film, from a story by Eric Gurney and Bill de la Torre, and with music by Oliver Wallace. This is one of the few shorts where Pluto does battle with his nemesis Butch the Bulldog, who was introduced in the 1940 short Bone Trouble. As with many of the Pluto stories that dealt with Pluto and another critter, the short relies on charm to carry it through, with much success and usually a new friend for Pluto.

Pluto’s doghouse on the beach has been completed, and shines in the summer sun. Excited about the prospect of moving, Pluto takes all of the bones he’s collected from his dilapidated old shanty, and gives his old house a haughty snort after he and his possessions are out the door. He moves into his new house, giving his bones a quick clean before pushing them inside, and begins to organize them by type into little cubbies built beneath his bed. Realizing that he’s forgotten something, he dashes back to the old place to grab his “Home Sweet Home” sign, kicking dust at the old shack before trotting to his new home.

Pluto's enticing new doghouse attracts wildlife, including this tiny turtle

As Pluto heads back, however, he notices that his bones have been tossed out, and is astonished to see a tiny turtle having taken up residence in his new home. The turtle gives Pluto a wave, and continues to set up house. When the turtle tries to push out Pluto’s bowl, Pluto takes a stand against this. Pluto ends up winning this non-aggressive fight by pushing the tiny turtle out onto the beach, only to have the turtle turn around and walk right back in. Pluto ends up carrying the turtle with his teeth in order to dispose of him, throwing him under a crate and leaving him trapped there.

A bit later, Pluto is seen gnawing on a rib bone, when the turtle knocks on the window. As Pluto angrily goes out to dispose of the unwanted squatter, the turtle sneaks in and decides to curl up on the bed, only to find Pluto carrying him away once again. When Pluto comes back, he finds another unwelcome visitor: Butch, the bulldog, who has been chewing on Pluto’s bones in the few moments Pluto was disposing of the other pest. Although Pluto is ready to deal with Butch, Butch seems unconcerned that Pluto is angered by his presence. When Pluto bites Butch, however, Butch goes on the attack.

Butch is surprised to see such a creature challenging him for squatter's rights


Pluto manages to hide in his old shack while Butch gets stuck in the doorway. Convinced that Pluto will stay there, Butch returns to the new house and spies the turtle in the doorway, with crossed arms and a glare on his face. The turtle shows Bruce he’s ready to fight, and ends up biting the bulldog on the nose. When Butch tries to retaliate, the only thing Butch can get his teeth around is the turtle’s shell. Butch tires himself out trying to bite the turtle, and the turtle slips out of his shell when Butch isn’t noticing, giving him a nice bite on the foot. The turtle retrieves his shell and uses it to trip up the bulldog.

Meanwhile, Pluto watches nervously from the old shack, and is amazed to see that the tiny turtle has bested Butch. The turtle gives Butch one last present – a bite on the tail – that sends Butch flying down the beach whimpering. The turtle lands in front of Pluto, limp, which causes Pluto to think the poor creature has died in the line of duty. As he begins to cry, one teardrop falls from Pluto’s snout and revives the turtle. The two hug and decide that they both can live in the new doghouse amicably.

February 20

February 20, 1937 – The Mickey Mouse short Moose Hunters is Released to Theaters

“Hi, Mr. Moose. Have a bite?”

 On February 20, 1937, the Mickey Mouse short Moose Hunters was released to theaters. This was one of the few shorts that used Donald and Goofy along with Mickey, as the writers were finding it difficult to give Mickey solo material. The short was directed by Ben Sharpsteen, with music by Paul J. Smith, and starred Walt Disney as Mickey Mouse, Pinto Colvig as Goofy, and Clarence Nash as Donald Duck.

The "female moose" making her mating call

The short opens with a female moose swimming across a river. When she emerges, however, we see that she has two familiar, yet mismatched, pairs of feet, and sounds her call by using a horn. Following behind this strange moose is a swimming bush, which also sounds out a call by using a horn. As the moose continues to walk and call, it hears something respond, and the front half of the moose stops, causing the back half to run into the front. Goofy emerges from his disguise, excitedly informing the others that there is a moose nearby, and Donald emerges as well, repeating the sentiment. Mickey, now revealed to be the walking bush, answers joyfully, holding a shotgun. “Now do your stuff,” he tells them. “I’ll take care of the rest,” he adds with a wink, patting the shotgun.

Goofy and Donald continue walking in the female moose costume, trying to lure out the real moose. Mickey, meanwhile, travels a bit behind, carefully using his horn to call out the moose, trying to keep hidden within the leaves of his disguise. He stands on top of a bush and uses the horn again; unfortunately, the moose appears beneath him, startling the mouse and causing him to drop his shotgun, which lets out a shot, scaring the moose. Mickey is starting to sweat, as his gun is now in pieces, and he is even more alarmed when the moose spots his disguise, thinking it would be a tasty snack. Mickey tries to keep himself covered and backs away slowly, only to be pursued by the hungry moose, who nearly eats Mickey’s trademark shorts.

Goofy and Donald spy the moose they've been tracking

Goofy and Donald are still trying to track down the moose they’d heard earlier, and when they spy him, they decide to make their disguise prettier, adding lipstick and powder, with Goofy spraying copious amounts of perfume (named Deer Kiss: Parfum Paris) to entice the moose. The perfume wafts its way toward the unsuspecting creature, who willingly follows the teasing scent. The moose takes one look at the “female” and is instantly smitten, especially when Goofy and Donald perform a teasing walk for him.

When Goofy gives the moose a “yoo-hoo,” the moose responds in kind, but with a force so strong that it blows the costume away. Goofy quickly comes up with a plan, grabbing leaves and performing a ballet/fan dance until they can retrieve their disguise, which only causes the moose to become even more smitten with their character. Once clothed again, the two continue their seductive walk, succeeding in getting the moose to follow them; unfortunately, the Donald half of the moose ends up falling off a cliff, and lands on a bee when he jumps back on the land. The bee, very unhappy with Donald’s appearance, flies inside the costume, sending the pair into a dance to the tune of La Cucaracha. The moose, angling for a kiss, ends up kissing Goofy on the face, as Donald tries to hit the bee, only to cause the moose mask to fly off Goofy’s head, but luckily land back just in time so their cover isn’t blown. Again, Goofy and Donald have the moose follow them, bringing him back to Mickey so Mickey can “do the rest.”

The moose has been eating Mickey's disguise, leaving him rather nervous about the inevitability of being caught

Unfortunately for the mouse, the moose that thought his disguise was a tasty snack has been eating the disguise, leaving almost nothing for Mickey to hide behind. When the moose takes the last mouthful and sees Mickey holding onto a branch for dear life, he glares at Mickey and gets ready to charge, until he hears a “yoo-hoo” nearby. Turning around, he sees the disguise of Goofy and Donald, becomes instantly smitten, and begins trotting over to “her.” Donald doesn’t see the moose, and keeps trying to pull them away, although Goofy is stuck as the moose cozies up to the front half. Donald emerges, only to see that the moose they’d gotten the attention of, and the moose that just got there, have spotted each other, and are ready to duel for the lady’s hand.

Donald and Goofy try to sneak away and hide up a tree as the two males growl and size each other up before pacing and getting ready to duel with their antlers. The force of their fighting is strong enough to tear the trees from the ground, which causes Goofy and Donald to fall from their perch and land between the two, their disguise blown. “April fool!” Goofy offers weakly, with Donald chiming in with the same sentiment; this does not appease the two males, who decide to take out their aggression on Goofy and Donald. The trio speeds away crazily while being pursued by the two males.