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Tag Archives: Music

June 4

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June 4, 2000 – The Broadway Musical Aida Wins Four Tony Awards

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“Every story, new or ancient, bagatelle or work of art, all are tales of human failing, all are tales of love at heart.”

On June 4, 2000, the 54th Annual Tony Awards were held in Radio City Music Hall in New York City. Nominated for five Tonys, the Walt Disney Theatrical produced musical Aida would go on and win four: Best Performance by a Leading Actress in a Musical for Heather Headley (Aida), Best Original Score (Music and Lyrics) Written for the Theater for Elton John and Tim Rice, Best Scenic Design for Bob Crowley, and Best Lighting Design for Natasha Katz.

May 26

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May 26, 2009 – The Compilation Album Disney Pixar Greatest is Released Through Walt Disney Records

Disney Pixar Greatest

“There isn’t anything I wouldn’t do for you, we stick together, we can see it through ‘cause you’ve got a friend in me, yeah, you’ve got a friend in me.”

On May 26, 2009, the compilation album Disney Pixar Greatest was released through Walt Disney Records. The album contains a mix of songs and scores from the Pixar films released through 2009, ending with Up. The scores, composed by Randy Newman, Thomas Newman, and Michael Giacchino, are recognizable pieces from the films, including Randy Newman’s “The Scare Floor” from Monsters, Inc., Thomas Newman’s “Define Dancing” from WALL-E, and Michael Giacchino’s “Carl Goes Up” from Up.

May 24

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May 24, 2005 – The Album “Mousercise” is Released Through Walt Disney Records

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“We do it every day – everybody work out Mickey’s way!”

On May 24, 2005, the album “Mousercise” was released through Walt Disney Records. The original exercise album of “Mousercise” was released in 1982; the 2005 version is a new album, with songs set to an upbeat club tempo. Several Disney songs are in this new format, including “Reflection,” “Go the Distance,” and “Beauty and the Beast.” A few songs are exclusive to this album, including “The Mousercise Theme,” “Mickey’s Work Out,” and “The Tigger-cise Song.”

May 22

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May 22, 2001 – The Soundtrack to Atlantis: The Lost Empire is Released Through Walt Disney Records

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“Where the dream takes you, where your heart longs to be, when you finally found that place, you’ll find all you need.”

On May 22, 2001, the soundtrack for the 41st animated feature film Atlantis: The Lost Empire was released through Walt Disney Records. The score was composed by James Newton Howard, and also contains the end credits song “Where the Dream Takes You,” written by Diane Warren and performed by recording artist Mya. A limited edition version of the soundtrack of only 20,000 was also released, complete with a 3D album cover art.

May 18

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May 18, 1999 – Tarzan: An Original Walt Disney Records Soundtrack is Released

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“Put your faith in what you most believe in, two worlds, one family. Trust your heart, let fate decide to guide these lives we see.”

On May 18, 1999, Tarzan: An Original Walt Disney Records Soundtrack was released through Walt Disney Records. It was the soundtrack for the 37th animated feature film released by Walt Disney Animation Studios. The songs were written by singer-songwriter Phil Collins, with score composed by Mark Mancina. The album peaked at number 5 on the Billboard charts, and spawned two singles: “You’ll Be in My Heart” and “Strangers Like Me.” “You’ll Be in My Heart” would go on to win an Academy Award and a Golden Globe for Best Original Song; the soundtrack received a Grammy for Best Soundtrack Album. It is also notable as the first soundtrack to be recorded in multiple languages for foreign markets, with Collins singing the songs in the English, Italian, German, Spanish, and French versions.

May 12

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May 12, 2007 – The Aly & AJ Single “Potential Breakup Song” is Released to Radio Disney

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“This is the potential breakup song, our album needs just one, oh baby please, please tell me.”

On May 12, 2007, Hollywood Records artists Aly & AJ released their new single “Potential Breakup Song” was released on Radio Disney. This was the first single from the 2007 album Insomniatic. The lyrics in the Radio Disney version of the song are altered from the original single version, changing “Without me you’re gonna die” to “Without me you’re gonna cry,” as well as adding the word “to” between “gettin’ me” in the chorus. The song was released to mainstream airwaves on June 26, as well as being released for digital download. It peaked at number 17 on the Billboard Hot 100 charts, and was certified platinum by the RIAA.

May 11

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May 11, 1913 – Composer, Arranger, and Disney Legend Salvador “Tutti” Camarata is Born

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On May 11, 1913, Salvador “Tutti” Camarata was born in Glen Ridge, New Jersey. He studied music at Julliard, and began his career playing trumpet for the likes of Benny Goodman and Jimmy Dorsey, ­eventually becoming Dorsey’s lead trumpeter and arranger. In 1956, Camarata was hired by Walt Disney to form Disneyland Records, and work to expand the record company from its output of children’s music. Camarata brought in many of his connections in the music industry for concept albums, including Louis Armstrong and Louis Prima. Over a five-year period, Camarata supervised the recording of over 300 albums. His biggest success with the label was the idea of bringing Annette Funicello in as the first artist in residence. While looking for material for Funicello, Camarata discovered Richard and Robert Sherman, and brought them in to the label; they would eventually be the first staff songwriters of the company. He was honored as a Disney Legend in 2003 for his work with music in the company. Camarata passed away in 2005.

May 7

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May 7, 2000 – The Television Musical Geppetto Premieres on The Wonderful World of Disney

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“All right, so I didn’t sleep so well. But who cares? I have a son unique in all the world. It’s not every boy who can trace his family tree to a tree.”

On May 7, 2000, the made-for-television musical Geppetto aired on The Wonderful World of Disney program on ABC. The story is loosely based on the 1940 film Pinocchio, reusing the characters of the Blue Fairy and Stromboli, but it adds many new aspects of the film when Geppetto searches for Pinocchio after he leaves with Stromboli’s traveling puppet show. The music for the film was written by Stephen Schwartz, save for the reuse of the 1940 song “I’ve Got No Strings”; the film was written by David I. Stern (with the original source material written by Carlo Collodi). It was directed by Tom Moore, and stars Drew Carey as Geppetto, Julia Louis-Dreyfus as the Blue Fairy, Brent Spiner as Stromboli, Rene Auberjonois as Buonragazzo, Wayne Brady as the Great Lazardo, and Seth Adkins as Pinocchio. Recording artist Usher makes a special cameo as the Ringmaster of Pleasure Island. The film was nominated for four Emmy Awards, including Outstanding Art Direction for a Miniseries, Movie, or Special.

The story is narrated by Geppetto, beginning when he finished the new toys for the season. All of the children of the village of Villagio run to the toy story in a frenzy, with their parents trying to keep up with them. The children spy the toys through the window, and when Geppetto opens the shop, they rush inside. The parents voice their complaints of trying to get their children to behave, and Geppetto, who has longed for a child of his own, voices his own sadness that “those that see children as bothers are the ones who get to be fathers.” After everyone leaves that evening, Geppetto returns to his work on his puppet, Pinocchio, wishing that the puppet were a real boy. That night, the Blue Fairy appears in Geppetto’s house, granting his wish. Geppetto is confused, then overjoyed to find that Pinocchio has come to life. As they try to go to sleep, Pinocchio keeps his father awake with many questions, which Geppetto tries to answer good-naturedly, but his patience grows thin.

Geppetto takes Pinocchio around the town,introducing the residents to his son

Geppetto takes Pinocchio around the town,introducing the residents of Villagio

The next day, Geppetto is ready to show Pinocchio off to the town. Unfortunately, Pinocchio lets his mischief get the better of him, causing problems for several people in town. The next day doesn’t get better, as Pinocchio doesn’t listen to his father. When Geppetto gives Pinocchio a tricycle, Pinocchio ends up crashing and breaking the tryke. By the third morning, Geppetto is rather upset by Pinocchio’s willfulness. When Geppetto tries to teach Pinocchio how to be a toymaker, Pinocchio refuses to learn, wanting to be a train engineer instead. Geppetto then decides to send Pinocchio to school the next day, with the advice of acting “just like the other children.” Unfortunately, Pinocchio takes his advice quite literally, and gets into a fight with another student. Pinocchio is then asked to leave the school until he can behave, much to Geppetto’s annoyance. On the way home, they are accosted by puppeteer Stromboli, who wishes to make Pinocchio part of his show. At home, Pinocchio breaks Geppetto’s music box, and his nose begins to grow when he lies about breaking it. The two argue, and Geppetto begins to look for the Blue Fairy, calling Pinocchio a disappointment. Pinocchio overhears this, and decides to run away to join Stromboli’s traveling puppet show.

Geppetto finally finds the Blue Fairy, and tells her that her magic was defective. The Blue Fairy takes a bit of offense, but tells him that maybe it isn’t Pinocchio that is “defective,” and it takes a little bit more than just magic to solve his life. Without answers, Geppetto returns home. He finds that Pinocchio has run away, and muses that maybe it is for the best, but goes to the show to give Pinocchio his teddy bear and favorite train. When he arrives, he sees Pinocchio perform and, thinking that the boy is happy, he decides that Pinocchio has found where he belongs. What he doesn’t see, however, is how Stromboli treats Pinocchio, locking him in a cage. When Geppetto stops by Stromboli’s tent, he asks to see Pinocchio, but Stromboli tells him that Pinocchio has already left. Geppetto rushes off to find his son, and when Stromboli returns to his cage, he finds Pinocchio gone, boarding a carriage for Pleasure Island. Stromboli goes after Pinocchio, needing his cash cow.

The Blue Fairy stops by, once again using magic to teach Geppetto a valuable lesson on fatherhood

The Blue Fairy stops by, once again using magic to teach Geppetto a valuable lesson on fatherhood

Geppetto searches for his son, and runs across the Blue Fairy again, who is pleased to see that Geppetto is beginning to realize that he is responsible for what he created, but Geppetto protests that it’s about Pinocchio rather than himself. As he runs away from the Blue Fairy, he comes across a magician who isn’t very good at being a magician. After looking around at the magician’s props, Geppetto remarks that Lazardo has a talent for making toys, but Lazardo tells him that he became a magician because his father was a magician, and his father before him was a magician. He wanted to be a toymaker, but he couldn’t bear to disappoint his father. Geppetto finally understands the message, and resolves to make it up to Pinocchio once he finds him. Geppetto then comes across the town of Idyllia, where an inventor named Professor Buonragazzo creates “perfect children.” Although Geppetto is at first taken by the idea of a perfect child, he realizes that he doesn’t want a child that’s perfect, he wants his son. As he leaves Idyllia, the Blue Fairy appears again, directing him to Pleasure Island, where Pinocchio is, and revealing Stromboli’s lies.

Geppetto finally arrives at Pleasure Island, where boys are encouraged to act naughty. Stromboli finds Pinocchio, but the Ringmaster has Stromboli dragged away, as adults aren’t allowed in Pleasure Island. As Geppetto searches for Pinocchio, he finds out what happens to boys at Pleasure Island – they turn into donkeys. Pinocchio begins to board the rollercoaster, but is stopped by Geppetto, as he tries to rescue his son. Pinocchio refuses to listen to Geppetto, and boards the rollercoaster. As he begins the ride, he begins to change into a donkey. Seeing this, Geppetto boards the ride to rescue him, but is too late, as Pinocchio is shipped off to the salt mines. Geppetto then races out to sea to rescue him, but is soon swallowed by Monstro, the whale. Pinocchio leaps from the boat to save him, and his selflessness causes him to change back into a puppet. The two reunite in the belly of the whale, with Geppetto wishing he could go back in time and do everything over to make things right by Pinocchio. The two come up with a plan to escape the belly of the whale, and they return to Villagio.

Stromboli appears in Geppetto's workshop, waiting to stake his claim to Pinocchio

Stromboli appears in Geppetto’s workshop, waiting to stake his claim to Pinocchio

Back in Villagio, Stromboli appears in Geppetto’s workshop, staking his claim to Pinocchio, as Pinocchio signed a contract to stay with Stromboli’s puppet show. Geppetto tells Stromboli he’s willing to give up everything to keep Pinocchio, including his home and all of his possessions. Stromboli refuses, as he still wants Pinocchio. He storms away with the boy, and Geppetto calls out for the Blue Fairy for help. She appears, but sadly tells him that there is little she can do now. Geppetto pleads with her, asking her to turn him into wood, or stone, or clay, as he cannot continue to live without his son. She surprises everyone by turning Pinocchio into a real boy, making Stromboli’s contract void. She tells Geppetto, “What good would it do making Pinocchio a real boy if he did not have a real father to come home to,” making Geppetto realize all that he’s learned on his journey. She leaves him with one more surprise: turning the store sign of “Geppetto’s” to “Geppetto and Son,” with a happy ending for all in Villagio.

April 26

April 26, 1994 – The Original Broadway Cast Recording of Beauty and the Beast is Released Through Walt Disney Records

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“Is this home? Am I here for a day or forever? Shut away from the world until who knows when.”

On April 26, 1994, the Original Broadway Cast Recording for the musical version of the hit film Beauty and the Beast was released through Walt Disney Records. The recording included the talents of Susan Egan as Belle, Terrence Mann as Beast, Burke Moses as Gaston, Gary Beach as Lumiere, and Beth Fowler as Mrs. Potts. The album contains all the songs performed in the musical, except for “A Change in Me,” a song that was added to the production in 1998 for Toni Braxton while she played Belle. Many new songs were added to the production in the process of adapting it to the stage, including “Me,” sung by Gaston; “Home,” sung by Belle; “How Long Must This Go On?” sung by Beast; “If I Can’t Love Her,” sung by Beast; “Human Again,” which was a song written for, and cut from, the original film; and “Maison des Lunes,” sung by Gaston, LeFour, and Monsieur D’Arque.

April 19

April 19, 2005 – The Album Disney Bossa Nova is Released Through Walt Disney Records

Bossa Nova

“Brazil’s legends of bossa nova perform Disney classics.”

On April 19, 2005, the compilation album Disney Bossa Nova was released through Walt Disney Records. Bossa nova itself is a fusion of samba and jazz, which peaked in popularity during the 1960s. The album had classic Disney songs performed by notable Brazilian bossa nova artists, including Marcos Valle, Miucha, Joyce, Bena Lobo, Ana Martins, Ivan Lins, Claudette Soares, Edu Lobo, Carlos Lyra, Wanda Sa, and Joao Donato.