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February 17

February 17, 1934 – Mickey Mouse Short Film Camping Out is Released to Theaters

“Hey, Pop! I was having fun, and a big guy hit me!”

On February 17, 1934, the Disney Studios released the Mickey Mouse Short Camping Out, starring Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow. Before the studio created and realized the individual star power of Mickey, Donald Duck, and Goofy, Mickey and Minnie were usually paired with Horace and Clarabelle, who were the major bit players in the short films of the ’30s. The short was directed by David Hand, with music by Bert Lewis.

Mickey and the gang relaxing at their summer camp out

The scene opens on a lazy summer day, with the gang playing a joyful tune. Mickey is playing the harmonica, accompanied by Minnie on banjo and Horace on the mouth harp, and Clarabelle is in the background icing a couple of cakes. As they dance and play merrily, a lone mosquito flies into the picture, wanting to join in on the fun and landing on Mickey’s nose. Mickey tries to blow him away, only to end up getting stung on the nose. Angered, Mickey takes a frying pan, planning to squash the mosquito when he gets the chance. It lands on Clarabelle’s cake, and Mickey ends up flattening the cake and sending icing flying all over Clarabelle, while the mosquito flies away unscathed. Upset by Mickey’s ruining her hard work, Clarabelle takes the other cake and shoves it in Mickey’s face.

As Horace laughs at Mickey and Clarabelle, the mosquito sees an opportunity to give Horace a good sting. It winds up and flies like a fighter plane, sending Horace flying into the air from the impact. Horace swings wildly at it, and thinks he finally hit it, until he hears buzzing from inside his hat. When he removes it, he discovers a giant bump on his head from where the mosquito stung him. Completely angry at this point, Horace swats the mosquito, sending it flying to the ground with a bent nose. Shaking his fist in revenge and sobbing, he calls over his father and says that he was just having fun when a big guy hit him. Heroic music plays as the entire swarm of mosquitoes flies to seek vengeance for the poor little mosquito.

Seeing the swarm coming, the gang mans their battle stations

Minnie spies the swarm, cries out in alarm, and the gang sets up their battle stations. Horace decides to spray them with molasses, which effectively stops them and sticks them to a nearby tree. The second batch of molasses-drenched mosquitoes, however, is sent flying back to Horace, hitting him square in the face. Clarabelle takes the old fashioned method with a flyswatter, only to have the mosquitoes grab the netting and tear it apart. Minnie and Mickey team up, with Minnie opening cans of peas, and Mickey filling a bicycle pump with them, then using the pump as a sort of machine-gun with pea pellets. The mosquitoes catch the peas on their noses, causing them to fall to the ground with the weight. The swarm finds a hammer and uses it to remove the peas from their noses, then take to the air again. Horace uses corn to make his own shooter in order to break up the swarm. Believing him to be successful at driving the swarm away, everyone cheers, but the victory is short-lived as the bugs dive bomb the quartet. Horace, however, grabs an umbrella and pulls the gang to safety, with the swarm hitting the umbrella and sticking. Poor Horace is still holding on to the umbrella, and as the swarm flies away, he joins them. Mickey grabs on to try and pull him down, but is also taken away. The umbrella breaks from the weight, and Horace and Mickey crash to the ground.

The mosquitoes free themselves, pull together to form a giant mosquito, and angrily chase after the gang as they run to take refuge in their tent, with the only casualty being Horace’s hat. The swarm continues its attack, with the gang using all of their supplies as best they can to stop the menace. Mickey’s solution is to trap the mosquitoes in the only thing he can find: Clarabelle’s bloomers. As the mosquitoes buzz away, surrendering, the gang cheers at their victory.

February 14

February 14, 1941 – The Mickey Mouse Short The Little Whirlwind is Released to Theaters

“Well, guess I don’t get the cake, huh?”

On February 14, 1941, the Mickey Mouse short The Little Whirlwind was released to theaters. Although most shorts that feature Mickey and Minnie are romantic in nature, this short does not feature a romantic plot between the two. This is ironic, as the short was released on Valentine’s Day. Mickey shows up around Minnie’s house and offers to clean her yard in exchange for her freshly made cake, only to have his efforts thwarted by a mischievous little whirlwind. The short was directed by Riley Thomson, with Walt Disney as the voice of Mickey Mouse and Thelma Boardman as the voice of Minnie Mouse.

The short opens with Minnie Mouse in her house, placing her freshly made cake on the windowsill. The scent travels down the road, catching Mickey Mouse’s nose and pulling him toward the window, until Minnie removes the cake and shuts the window, causing Mickey to fall to the ground. He knocks on her window, motioning to the cake she’s made. Angrily, she tells him that she has nothing for loafers, but Mickey offers to clean up her yard. Minnie agrees, but adds that there is to be no more clowning around. Excited about the promise of cake, Mickey grabs all the yard tools he can find, saying, “You won’t know the place when I get through!”

Mickey shows his enthusiasm by gathering every tool he can find

As Mickey begins to rake her leaves with gusto, a little whirlwind begins whirring down the path. Spying Mickey doing his yard work, it decides to have a little fun with him, hiding in the leaf basket and moving it when Mickey’s back is turned. Mickey is slightly confused, but tries to place the leaves in the basket again. Mickey and the basket go back and forth, until Mickey decides the best course of action is to nail it to the ground. He tosses the leaves in, only to have them thrown back at his face as the whirlwind escapes into the air, stealing Mickey’s hat.

After Mickey retrieves his hat, the whirlwind continues to play tricks on him, like stuffing leaves down Mickey’s trousers. As the whirlwind gathers the leaves and has them march behind it, Mickey grabs a bag and sneaks around the back of the house to sneak a surprise attack on the troublemaker. While he is able to capture the whirlwind in the bag, and gives the bag a good kick, the little whirlwind fights back and breaks free, squealing down the road while Mickey chases him. Unfortunately, when we see Mickey again, he’s running away from the wrath of Mama Whirlwind. Thanks to Mickey, Mama Whirlwind tears up the entire countryside as she chases him. Mickey gets caught in Mama Whirlwind, and is then dumped into a fountain before she leaves.

The things a Mama Whirlwind will do to protect her baby obviously include undoing all of Mickey's hard work, and then some

True to Mickey’s word, the yard is unrecognizable now. Minnie finishes decorating the cake, placing a big red cherry on top. She is shocked to see the state of her yard, and calls Mickey a louse. Mickey begins to leave, mentioning off-handedly that he must not get the cake after all. Minnie responds that he does, indeed, get the cake, and when he turns back excitedly, he gets the cake all right – thrown right at his head.

February 7

February 7, 1947 – Birth of Disney Legend Wayne Allwine, Former Special Effects Technician and Former Voice of Mickey Mouse

“Wayne was fond of saying, ‘We only carry the torch of these characters for a while, and then we pass it on.’ Well, he just carried it a little bit higher than anyone else.” – Bill Farmer, current voice of Goofy.

Wayne Allwine, best known as the third voice actor of Mickey Mouse, was born on February 7, 1947, in Glendale California. Active on stage and screen from an early age, Allwine ended up performing in bands until 1966, when he began to work for Disney in the mailroom, which was known as “traffic” in those days. Allwine recounts how he got the job at Disney, as well as how he became Mickey Mouse:

 

“I had wanted to work for Disney since I was a kid, but didn’t know how to get in. Well, one of the bands I was playing with, Tom Jackman’s father – Tom was the leader of the band – his father Bob Jackman ran the music department. And Bob gave me an application and a recommendation, and I started in the mailroom…way, way back when. And the thing that’s funny is a little known fact: Bob Jackman, after Pinto Colvig had left the studio, Bob supplied the voice for Goofy in several of the cartoons. So, in essence, Goofy hired the future Mickey…

“But I started out carrying mail. I saw Walt a couple of times, but we only spokeonce. He was very sick. [But] it was a magic time, it really was. 1966. John McCarthy was running traffic, as the mailroom was called back then, and just said, ‘Take a walk around, see what you wanna do.’ So I walked around, and the first thing I thought of, ‘Well, I’ve done some acting. Wardrobe looks like fun.’ Cause I love clothes, love clothes. Did that for a while. Went back into traffic and said, ‘Gee, I don’t really know what I wanna do, Mac. I might leave. I might leave for a while and just see what’s on the outside.’

“So great. I left, and I got a call about two months after I left, saying, ‘Would you like to come in and learn Jimmy MacDonald’s job?’ Now, at the time, I didn’t know who Jimmy was. ‘Sure. What am I supposed to do?’ ‘Follow Jimmy. Do everything he does.’

“So, I followed Jimmy, and I learned how to do sound effects. Jimmy only voiced Mickey for radio interviews; I think he was on the Dave Letterman show twice. But other than that, he didn’t do Mickey…he was having a rough time and couldn’t really voice Mickey any longer. And the studio had an open audition. An actor didn’t show up. There was a call from the soundstage: ‘Send the kid down. He works with MacDonald.’ Three months later Lou Debney stopped me and said, ‘Kid, you gotta join the Screen Actors Guild. They’re gonna use you.’

 “And that’s how I became Mickey Mouse.”

Allwine provided the voice for Mickey in Mickey’s Christmas Carol (1983), Who Framed Roger Rabbit (1988), Runaway Brain (1995), and The Three Musketeers (2004). He also voiced the character in the television shows Mickey’s Mouse Works, House of Mouse, and Mickey Mouse Clubhouse, as well as in the video game series, Kingdom Hearts. “The main piece of advice that Jim gave me about Mickey helped me keep things in perspective,” Allwine recalled in a 2004 interview with Leonard Maltin. “He said, ‘Just remember, kid, you’re only filling in for the boss.’ And that’s the way he treated doing Mickey for years and years…Mickey’s the real star. You know, you just have to love the little guy while you have him, because he won’t be yours forever.”

Allwine (L) working with some of the special effects tools designed by Jimmy MacDonald (R)

In addition to his voice acting, Allwine was an accomplished sound effects technician, winning an Emmy and a Golden Reel Award for his work in Steven Spielberg’s Amazing Stories, and another Golden Reel Award in 1986 for his contributions to the Disney animated feature The Great Mouse Detective.

One of the little known facts about Allwine is that in real life, he was married to the voice of Minnie Mouse, Russi Taylor. “It was just a total friendship, and the next thing you knew, we were just sort of like, always together,” Taylor said of how their relationship developed. On October 13, 2008, the couple were inducted as Disney Legends.

Mickey (Allwine) and Minnie (Taylor) together

On May 18, 2009, Allwine passed away at the age of 62. The game Kingdom Hearts 358/2 Days, his last vocal project as Mickey, was dedicated in his memory. “Wayne’s dedication to preserving the legacy of the character who began with Walt Disney himself was steadfast,” Tony Anselmo, voice of Donald Duck and close friend, said about Allwine. “He was one of the kindest men I ever knew, a true gentlemen, and funnier than any professional comedian. A truly gifted and talented man.” Allwin’s voice is still heard at parks around the world, as well as on television on the show Mickey Mouse Clubhouse. “It’s a great honor,” Allwine said of voicing Mickey. “It’s a great honor to represent what Walt loved so dearly, and what Jimmy kept alive so well.”

 

February 6

February 6, 1937 – Release of the Mickey Mouse Short Film Magician Mickey

“Aw, why don’t you go home? Phooey!”

On February 6, 1937, audiences were treated to a cartoon magic show called Magician Mickey, starring Mickey Mouse. Unfortunately for Mickey, Donald Duck decides to attend the show, heckling Mickey from beginning to end with a growing degree of cartoon violence, but Donald learns that Mickey will always get the best of him in the end. The short was directed by David Hand, and stars Walt Disney as Mickey Mouse, Clarence Nash as Donald Duck, and Pinto Colvig as Goofy. As with many of the shorts of this period, this one relies on the use of pantomime, as Mickey and Goofy only have one line each. The short has the added bonus of Donald throwing ten fits, including the ones where he is a kangaroo, a seal, and a monkey—it is a magic show—and with every fit, he spits out cards ending with the ace of hearts sticking out of his mouth.

The short opens in a theater, and we see Goofy up in the rafters, setting up the ropes and lights for the show. We then hear applause as Mickey struts onto the stage. His first trick is making his table appear from his hat. He then turns his cloak into a crow, and as the crow flies away, Mickey is startled by hearing loud laughter. As he turns, he sees Donald Duck in a balcony seat, beginning his heckling as Mickey’s personal skeptic, crying, “Aw, phooey.”

Donald Duck, Mickey Mouse's personal heckler

Mickey’s next trick is to release a balloon from his hand, after showing that there was nothing up his sleeve. He releases another one, which suddenly pops over Mickey’s head, drenching him. He glares over at Donald, who spies the other balloon floating over and shoots it with a slingshot. Unfortunately, the balloon turns into a lobster, and begins to fight with Donald. As Donald throws it back at Mickey, Mickey catches it and turns it back into a balloon, which he pops with his magic wand.

Mickey then begins a card trick, but Donald, ever up to mischief, pulls out a bellows and shoots the air in Mickey’s direction, causing the cards to fly all over the place. Mickey amazes the audience by turning the cards into flock of birds, which he then sends into a cage he makes appear out of thin air. He then makes the cage disappear, replacing it with a new deck of cards. Donald proclaims that anyone can do that trick, and as Mickey makes the cards disappear, they reappear shooting out of Donald’s mouth as he throws a fit. Humiliated, he throws his empty soda bottle at Mickey. Unfazed, Mickey makes the bottle float in midair and fill with water, which shoots back at Donald, causing another card-spitting fit.

Mickey makes the cards reappear through Donald's fits, a humiliation not even Donald expected

As Mickey bows to the audience, Donald jumps onto the stage and steals the magic wand, trying to use it on Mickey. The wand does give Donald a giant ice cream cone, which spits raspberry ice cream into the duck’s face, causing a third card-spitting fit. As he leaps at Mickey, Mickey catches him and makes him disappear in his hands, turning him into a set of Donald Duck paper dolls, and then into a twisted bullet, which Mickey places into a starter’s pistol. Mickey shoots Donald at an egg on the side table, and by the light of a candle, the audience sees Donald inside the egg, throwing another fit. Mickey grabs the egg and throws it into his hat, and makes Donald reappear by emptying the yolk from the hat.

Magician Mickey and his amazing Donald Duck paper dolls

Angered again, Donald steals the wand again, breaks it in half and throws it on the ground before having another tantrum; this tantrum, however, distracts him from seeing the wand pieces turning into a cactus equipped with boxing gloves. The cactus then begins to punch Donald, with one knockout punch sending him flying offstage. Having enough of the humiliation, but not knowing when to give up, Donald lunges onto the stage, sailing through a hoop Mickey holds up, turning into an assortment of animals as he goes through the hoop over and over. After getting himself back to normal, and seeing Mickey take another bow before the enthralled audience, he spies the pistol in Mickey’s back pocket rips it away and points it at Mickey, who becomes alarmed. “Look out! It’s loaded!” Mickey cries. Donald doesn’t care, but at least he provides the show with an explosive ending.

 

January 13

January 13, 1930 – The Mickey Mouse Comic Strip is Distributed by King Features Syndicate.

A preview of the Mickey Mouse comic strip.

On January 13, 1930, two newspapers in the United States, the New York Mirror and the Oakland Post-Enquirer, debuted a new comic strip featuring the popular movie character, Mickey Mouse. It was slow to gain popularity, as the strip was an ongoing story, rather than the usual practice of a gag per strip, but it became an enduring classic lasting for decades.

The first eighteen strips were drawn by famed Disney animator Ub Iwerks. Iwerks recalled that Disney’s original ambition was to become a cartoonist, which is likely the reason the early Mickey Mouse cartoons included the byline, A Walt Disney Comic. Disney decided to write the first four months of comics, although Iwerks had been contacted first about creating a comic strip about Mickey. As Joseph Connelly, the President of King Features Syndicate, wrote in a letter that reads almost like fanmail:

“I think your mouse animation is one of the funniest features I have

ever seen in the movies. Please consider producing one in comic strip

form for newspapers. If you can find time to do one, I shall be very

interested in seeing some specimens.”

Iwerks was already spread thin with other projects for the studio, and handed the letter to Walt, claiming it “wasn’t [his] business. Walt made the deal, and I did the drawings for a few strips.” Walt, on the other hand, had this to say when asked about the comic:

“[In 1929 we were looking for] ways to exploit characters like the

Mouse. The most obvious was a comic strip. So I started work on a

comic strip hoping I could sell it to one of the syndicates. As I was

producing the first one, a letter came to me from King Features

wanting to know if I would be interested in doing a comic strip

featuring Mickey Mouse. Naturally, I accepted their offer.”

As with the story of how Mickey Mouse came to be, there were discrepancies between the recollections of Disney and Iwerks. Although it may not be clear through their statements of who was accurate, it seems that Walt was always interested in doing a comic strip, but work had not started before Iwerks received the letter from Connelly.

But Iwerks did animate the strips, and then the project was given to Win Smith for three months. Smith butted heads with Walt over seniority and age; when Walt asked Smith to write the comic as well as animate it, Smith refused, telling Walt that “No goddamn young whipper-snapper’s going to tell me what to do.” Smith quit that day, and the strip was taken over by Floyd Gottfredson.

Floyd Gottfredson

Gottfredson was asked to take over the strip for a few weeks until a replacement was found, but ended up working on the comic for forty-five years, until he retired in 1975. While the early comics were based on the cartoons in theaters, Gottfredson put his own personal spin on the strip, using contemporary events like the Great Depression and World War II as backdrops for heroic adventures in which Mickey battled corrupt politicians and assorted villains to save his friends and country.

The first comic strip, entitled “Lost on a Desert Island,” is very reflective of the attitudes of the period, with exaggerated interpretations of anyone who wasn’t Anglo-Saxon. These clichés were commonplace, used when one didn’t have the time or patience to create a fully-formed character.

The comic itself is a dry run of the adventure comics that lay ahead in the strip’s future, but it is charming for what it is. It begins with Mickey in the barnyard, trying to fly a homemade plane, which is similar to the plot of the 1928 short film, Plane Crazy. Mickey gets the plane to fly (losing Minnie Mouse in the process, who lands to safety using her bloomers as a parachute), but ends up in the middle of a typhoon and crashes on a desert island. Although this is a continuous story, there are gags to end each strip, and it has a real charm about it. If one is able to look past the attitudes of the past that are heavily featured in the strip, it’s a good read overall.

January 11

January 11, 1929 – The First Mickey Mouse Club is Formed

A promotional button from the original club

“Mickey Mice do not swear, smoke, cheat, or lie!”

At noon on January 11, 1929, the first Mickey Mouse Club was called to order in the Fox Dome Theater in Ocean Park, California. The club was the idea of the theater’s manager, Harry W. Woodin, which he began during the children’s matinee shows on Saturdays. Soon, these clubs spread like wildfire, and by the height of their popularity in 1932, it was estimated that there were one million members worldwide, with many clubs meeting every week. During club meetings, children would watch Mickey Mouse cartoons, recite the Mickey Mouse credo, and elect a Chief Mickey and Chief Minnie Mouse.

A copy of the original flier for the Fox Dome Theater's first meeting of the Mickey Mouse Club

Intrigued with Woodin’s concept, Walt Disney saw that there were many opportunities for merchandising through the clubs, as well as convincing more children to attend the theater to see new Mickey Mouse shorts. Disney hired Woodin to be the general manager of these club gatherings. Woodin’s job included printing and sending fliers to theaters across the country, instructing them on how to develop the clubs and help local businesses through advertisements in the club bulletins. Business began to boom through the name of Mickey Mouse: Bakeries would offer free Mickey birthday cakes, banks gave away Mickey savings banks, and department stores would give away free Mickey toys to entice customers to look at their more expensive toys. Clubs were formed not only across the United States, but also in England and Canada, among other countries, by 1930. The Odeon Theatre chain in England had 160 clubs with 110,000 members by the peak of the club’s popularity.

A card with the Mickey Mouse Club Creed

The club itself taught children how to be model citizens. Children would recite, “Mickey Mice do not swear, smoke, cheat, or lie!” Mickey himself would instruct the kids on topics such as how to brush their teeth and wash behind their ears, respect their parents, attend Sunday school, and on the virtues of honesty and honor. The creed of Mickey Mouse Club members was as follows:

I will be a square shooter in my home, in school, on the playground and where ever I may be.

I will be truthful and honorable and strive, always, to make myself a better and more useful little citizen.

I will respect my elders and help the aged, the helpless and children smaller than myself.

In short, I will be a good American!

The highlight of these clubs, naturally, was the Mickey Mouse cartoons. To that end, Walt Disney had a special animated short for the club meetings of the club’s theme song, “Minnie’s Yoo-Hoo.” Written by Walt Disney and Carl Stalling, the song was the first Disney song released on sheet music. The animated short that accompanied the song had Mickey singing the first verse, before encouraging the children to sing as the lyrics would show up on the screen.

Title card for the Minnie's Yoo-Hoo short.

Mickey Mouse’s explosive popularity was a big part of American culture in the late ’20s and early ’30s. With the credo recited at these meetings, as well as the lessons Mickey would teach the children, it’s no wonder that Mickey was seen as a positive role model, and parents would object if Mickey was seen doing something reckless, as he did in many of his early shorts. The clubs held steady in their popularity with the Disney stamp of approval until 1935, when the popularity of these clubs began to wane. The clubs did continue unofficially through World War II, with Mickey and friends extolling the importance of planting Victory Gardens and donating old toys for scrap. It would be 23 years until the television version of the Mickey Mouse Club would appear in people’s homes.

January 7

January 7, 1933 – Building a Building Released to Theaters

The film poster for the short 'Building a Building'

“Baloney, and macaroni, and a huckleberry pie”

In this 1933 black-and-white short film – directed by David Hand, recorded on R.C.A. Photophone – Mickey is a construction worker on a building site, with Pegleg Pete as his foreman. Minnie comes by selling box lunches for only 15 cents (Pluto makes a cameo, pulling her lunch cart). Her presence soon attracts the attention of plucky young Mickey, who spills dirt and bricks on top of Pete and his blueprints, aggravating Pete’s already short fuse.

Mickey working on the building - also a good example of the "squash and stretch" method of animation.

Although Mickey’s actions in this era were described more as an homage to silent film star Charlie Chaplin, one can see that there are also nods to the physical comedy stylings of silent film star Harold Lloyd (see Jan. 4th entry – Mickey’s Polo Team), as Mickey falls head over heels – literally – for Minnie Mouse.

When Pete steals Mickey’s lunch, Minnie feels bad for Mickey and offers him a free lunch, which includes, as she often repeats, “Baloney, and macaroni, and a huckleberry pie,” with a corn cob as well, for only 15 cents, which is about $2.50 today – not a bad price for such a lunch. Not satisfied with stealing Mickey’s lunch, Pete tries to steal Minnie’s affections as well. This does not turn out well for Pete, as Mickey and Minnie use all available resources to outsmart the foreman, before sliding down a chute and riding off in Minnie’s lunch wagon, now co-owned with Mickey. They share a kiss while Pete ends up stuck in a tub of cement.

The kiss as the couple rides off together.

In this short, Pete was voiced by Billy Bletcher, Minnie by Marcellite Garner, and Mickey by Walt Disney. This short is entertaining, especially for the over-the-top physical comedy used to show Mickey’s affections and to outsmart Pete.

January 4

January 4, 1936 – Mickey’s Polo Team is released to theaters.

The Movie Stars versus The Mickey Mousers

A good example of the popular culture of the 1930s, Mickey’s Polo Team was released to theaters on January 4th. It was directed by David Hand, produced by Walt Disney Productions, and released by United Artists. The short features Mickey leading a team called “The Mickey Mousers,” against a team called “The Movie Stars”, featuring popular 1930s celebrities Stan Laurel, Oliver Hardy, Harpo Marx (riding an ostritch), and Charlie Chaplin. The referee is famous leading man Jack Holt, and the audience features prominent 1930s entertainment stars. One of the running gags of the short is Hardy trying to stay on and control his horse, which shows off an example of Laurel and Hardy’s slapstick comedy.

Characters from the Silly Symphonies and Shirley Temple

The short also has characters from the Silly Symphonies, including The Wise Little Hen (The Wise Little Hen), The Flying Mouse and his mother (The Flying Mouse), King Midas and Goldie (The Golden Touch), Peter and Polly (Peculiar Penguins), Ambrose and Dirty Bill (The Robber Kitten), two bunnies (Funny Little Bunnies), and Cock Robin with Jenny Wren (Who Killed Cock Robin?).

From top left going clockwise: Charles Laughton, Eddie Cantor, Greta Garbo, W.C. Fields, and Harold Lloyd.

Many famous personalities were caricatured in this short:

Stan Laurel and Oliver Hardy were an acclaimed double act in early Hollywood, mostly known for their slapstick comedy.

Harpo Marx was a member of the famous family comedy act, the Marx Brothers. Harpo never spoke, but communicated through whistling or blowing a horn – the ostrich Harpo rides in the polo match acts as his horn in this short.

Jack Holt, the referee, was Columbia Pictures’ most reliable leading man, because of his rugged personality. He was well known for staring in three Frank Capra action films: Submarine in 1928, Flight in 1929, and Dirigible in 1931.

Shirley Temple was a superstar in the 1930s, known for her work in the films Bright Eyes (featuring her signature song “On the Good Ship Lollipop”), Curly Top, and Dimples.

Charles Laughton was a British film actor, known at the time for his portrayal as the titular character in The Private Life of Henry VIII, which the animators capitalized on as they drew him.

Eddie Cantor was a Broadway star and singer turned Hollywood actor, known for his hit songs “Makin’ Whoopie” and “If You Knew Susie.” Cantor became a leading man after his work in the 1930 film Whoopee!

W.C. Fields was an American actor, known for his comic persona of a alcoholic egotist with contempt for dogs, women and children, yet was still seen as a sympathetic character to audiences. His films include David Copperfield, Alice in Wonderland, and The Fatal Glass of Beer, written by Fields himself.

Harold Lloyd was a popular silent film actor, ranked alongside Buster Keaton and Charlie Chaplin as the most popular and influential comedians in the silent era. The scene he’s most well known for is from Safety Last! in which he hangs from the hands of a clock above the city streets; this is a prime example of his daredevil physical feats.

Greta Garbo was a Swedish actress who was an international icon during the classic period of Hollywood. Her most well-known films were Anna Karenina and Camille.

Edna May Oliver was an American character actress, known for usually playing waspish spinsters. She is best known for her roles in Alice in Wonderland, A Tale of Two Cities, and David Copperfield.

Clark Gable was an American actor, known at that point for his role in the Academy Award winning film It Happened One Night, as well as his role is Mutiny on the Bounty. Nicknamed The King of Hollywood, Gable was also known for his ears, which were often caricatured by the likes of Disney and Warner Brothers.

This short is interesting for seeing what was popular in the 1930s. Polo was a popular sport with the Hollywood crowd, and Walt Disney was a fan, using the game to venture into Hollywood society. Although most of these actors would not be known by members of the general public these days, the people featured were huge stars. To be featured in a Disney short must have been seen as a form of flattery, or at least a sign that a star has “made it.” It’s a charming piece that gives the modern viewer insight to the cultural landscape of the 1930s in Hollywood.

If you are interested in seeing more Disney cartoons with caricatures of 1930s celebrities, please check out the following:

Mickey’s Gala Premiere

Mother Goose Goes Hollywood

The Autograph Hound